Toy Story 4

Toy Story 4 is Metal Gear Solid 3 remixed. Woody is Snake, Bo Peep is very obviously The Boss, Buzz Lightyear is Sigint (or maybe Major Zero, depending on where the story goes). I could tell you more but I was taught in the 4th grade that movie reviews should not contain spoilers, so I’m going to have to ask you to read my newsletter for a personal explanation.

The thing is, that analogy is only like half a joke (apparently, this isn’t even an original thought, since the Toy Story series apparently has been compared to MGS before) . This is because, at its core, Toy Story 4 is very much the story about old, loyal soldiers, their loyalties and those who exploit them. I don’t even feel like this is that deep a read Most of the games Andy plays with his toys are war games, even the slinky and the potato are obligated to take up arms. And how many war films have features soldiers comparing themselves to toys, played with by forces out of their control

In all seriousness though, despite the fact that these films touch on the same subjects as grittier films, the fact that these are CGI toys allow us to have sunnier views of these stories that are typical for this type of genre. It’s hard to tell a movie about soldiers and pretend forget that war is “an endless series of proxy battles, fought by mercenaries and machines;” at this point throughout much of the world, most are but a few layers removed (if any layers at all) from the very real consequences of soldiers and their work. In Toy Story, the stakes are small but still important: the soldiers are only fighting for a single child’s happiness. This allows Toy Story films to have gravitas without actually being heavy.

Toy Story 4 is no different, and succeeds in finding this balance. Seeing Woody struggle to live in a world very different from those of his first campaigns, and deal with being loyal to the the forces he has always been loyal to, while the pangs of his heart pull him another direction is painful to watch. But in the end, because it’s a Pixar film, you know that everything is going to be okay and you can sit back and enjoy the funny spork (who perhaps would be a better fit in a movie about MGS 4, since he’s clearly a Gekko).

It’s a sweet movie, with cool characters (especially) Bo Peep that doesn’t try too hard, and doesn’t overstay its welcome. In a summer of 2.5 and 3 hour movies, I really appreciate that. It also doesn’t have any jokes or references that date the movie, which is something that has hurt some of the previous Toy Story films.

All in all, I think it’s definitely worth your time, and I think this will be one of the better films of 2019.

Killing the Colorado

Image of Lake Mead, with water depleted.

I know that not a lot of people are as interested in water as I am.  Maybe it’s living in Arizona.  Maybe it’s being born in California.  These are places where water rights are a very realistic part of living life.  Although, the truth is, water rights in fact should matter to everyone.

Killing the Colorado specifically focuses on how the west is impacted by the flow of water in the Colorado basin.  It’s a fair look at who uses, who’s trying to use, and why they’re trying to use the water of the Colorado River basin.  

Every stake holder gets a voice, which is pretty rare in this sort of documentary.  Even people who are completely ridiculous get voice, such as the wild people of the Gila River Diversion.  A good documentary makes a person feel something, and these people made me feel rage over their billion dollar plan to ruin a beautiful place for a relatively small amount of water, that’s still too much for the people who live there.

Yet despite this rage at those people, I found myself convinced that maybe people who I previously demonized in my mind actually had a valid point.  A good documentary also changes your mind (at least if it’s open).  Learning that the farmers, who I’ve blamed for their water usage, hasn’t been so bad.

So I suppose this might not technically be a theater-released film, it’s a documentary, and it’s a good one, and I definitely think it’s worth your time trying to track it down.

Oh hey, and you can actually watch the full movie right here!

Frankenhooker

Frankenhooker.
A picture of the titular Frankenhooker.

It’s rare a film completely delivers on its title, but Frankenhooker does it.  It’s a movie about a guy who makes a Frankensteinesque monster out of sex workers in mid 90s New York.  It’s just as zany as it sounds.  There’s a lot of nice touches which make something that is so dumb (but in a good way) on its surface end up feeling so gosh darn smart.

One of the best Frankenstein adaptations ever!  Mary Shelley would be proud.

Black Panther

Black Panther on a surface read is a nearly flawless film.  The style and storytelling are refined and focused.  The pacing is crisp.  The humor is balanced.  The story is grounded in the archetypes well known to most familiar with stories, yet this time its told by a new story teller, thus giving it a fresh and welcomed perspective.  It has a diverse cast and important roles go to people who don’t traditionally get them, and the acting and characters the portray are great.  And this story that it tells is told in a way that is complex is enough that it can be spoken of as having both a surface and deeper readings.  Unfortunately, any the problems that the film have began to be apparent below the surface.

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